一尘网  

在(zà(🍱)i )拍(😶)(pāi )摄(shè )期间，这群人的关系越来越亲(qī(🚪)n )密(mì )，谎言与(yǔ )真相变得难以区分(🕔)，人(rén )性(xìng )的极限(🚚)也受到了考(kǎo )验，导致(🔑)了各种令(📿)人毛骨悚然(🥁)的行为。天(💸)空(🕶)(kōng )正(🐘)在飘雪，大地已经(jīng )铺上了厚厚(✏)的(de )一层，掩盖了这里发生过的(💷)一(👽)切。男人的视线停(🕐)(tíng )留在顾潇潇身(🚤)上时(🔁)间显得(🕋)比(😳)较(jiào )长，肖战(🥍)双(✋)眸微(🎠)微眯起。此(📺)次《无(✨)人之(🦅)境》复排由西(🌯)恩(📘)·马提亚斯（SeanMathias）(🆘)担任导演，自在西区上演(❤)以来，两位年龄加起来超过150岁(💪)的英伦老戏骨便博(👩)得满堂(🍁)彩(cǎi )Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.这么(me )多年，你们好像都没(🧚)怎么变(🖱)。霍靳北缓缓道。当方真的买好船票准备(bè(👟)i )远(⏩)(yuǎn )行之(🛑)时，送(sòng )行(háng )的尧也终于在岸边为(😫)她奏起(qǐ )了(le )那(🤫)首写给(🎒)她的小(xiǎo )提琴曲……。有洁(📺)癖(🎻)的雷(🅰)克斯显然是很不愿意再来(lái )这个(gè )地方，可是现在的(de )雷克斯根本无暇思考及这些琐事，脑子(🙎)里只装着(🦈)沐(mù )无言，担(dān )心着她是不是出事了(🌫)。既然不是(😓)冲动，那就放弃(qì )今天(🎬)下午的考核(🚾)(hé )。