当她(tā )深(shēn )入马尼(ní(😉) )拉的黑社会，警察、罪犯和(hé )毒品来(🎙)寻(👜)找答(🎌)案时，她(tā )意识到真相从(cóng )来不是黑(🕦)白的，她必须(xū(🛣) )探索自己(🤓)的黑(🎚)暗，以确(💖)保她的家(✌)人安(🛫)全(✖)。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.几经周折(🔂)，他终于来到一座云集着狼(láng )人的小镇，并在老(🐽)者约(🗽)翰（史蒂(dì )芬·麦克(kè )哈蒂StephenMcHattie饰）的帮助下(xià )找到(🍹)一份谋生的职业。咔咔(🙀)咔，破防值跟(🔀)坐了火箭那般，一飞冲(chōng )天。经(jīng )过两三代皇帝(dì )的(de )清洗。但不仅如此—(🏮)—(👱)贝加尔湖是我(🥙)们这(🈚)个(☔)世界的理想模型，它(📥)应该是(📕)。他(🎫)身形一(yī )动，瞬间消失(shī )在原地(😮)，只留(🚅)下一个(🕵)残(🚒)(cán )影。各位，这是我能够开出的条件，一亿五千(qiān )万美金，只需要(🎮)换取我的部下，从中(🚳)校升为(🎆)少j。在(zà(📅)i )若男(nán )18生日(🍣)当晚，他(🍥)们两人到郊外(wài )露营，偷吃(📳)了(🏁)禁果