Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.」(🤳)作为口号(hào )，爱佳等人的即将面(🌜)临大会(👔)，最(🦑)终(zhōng )的(de )结果会是。传道士行侠仗(💎)(zhàng )义，成(🤫)为(wéi )矿(🍔)工苦难生活中(🔏)的一缕亮光。下午(🍸)一点(diǎ(🌆)n )五十分(🌋)(fèn )，顾倾(🚚)尔(ě(🤫)r )的身影最终还是出现在演出(🐥)场(🆚)馆外(🚥)。说完，她也不等电话那(👗)头的乔(🔆)易青回应，直(zhí )接(🚈)就挂掉了电话。但是当(🏐)时意识(🚱)已被恐惧霸占，耳畔充斥(🈴)着(zhe )休的哭吼(hǒu )……休步(🆎)步(🏌)(bù )紧逼，子夜则一点点(🧢)地(dì )被逼(bī )到床角。墨守诚不肯全力相(🦂)搏，被季如风偷袭身(shēn )亡。原来这(zhè(🛠) )一切都是由于那(👯)起自(👹)杀事件(jiàn )所引起。影(😐)片描述了在金钱(🌐)与(🏠)尊严(yán )中周旋的人们。