是因为这样体现了人生的飘忽和沧桑(sāng )，很多生命都像过客一样闪(shǎn )过，都不(🚕)能(néng )在人(🐮)生里(⛰)留下(🚧)痕(📴)迹而感到的(🤟)无奈？【这几天一直没有感觉，也(yě )没(💄)有时间写。当年母(mǔ(🔋) )亲(🍞)(李乐(👀)之饰）曾(🌲)因父亲（秦(🎳)(qín )显伟饰）固(gù )守(💎)粤剧梦，而选择长期赴台打工养家(📁)，使他从小(🐞)(xiǎo )感觉被遗弃Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.还在和(hé(💗) )白猫(💷)愉快交流的雪乃，感受(shòu )着消失(🍹)的光。盛淮南（辛云来(🐨)饰(🐇)），这个名字从儿时起便深深刻在洛枳(🍚)（张雪(xuě )迎饰(shì )）(🌮)心(🤶)中(🔆)。宋妻(qī )及女(🚆)宋洁（李(lǐ )菁(jīng )饰(🏇)）将(jiāng )「免死铁券」藏于琵琶中，沿途卖唱掩饰(shì )。姐姐，你明(💍)天还要上班(👌)吧？先(xiān )回去(🐓)吧(🐹)？我没有(yǒu )事的。正在(🆓)此时，恰(🕴)好(🎖)(hǎo )有一(🥄)辆出租车(⚫)驶(🏵)过，千星蓦地一伸手，拦(lán )下(xià )那辆出租车，飞快地(♉)钻进(🎀)车里，吩咐司(sī )机直(zhí )接驶离(🧥)(lí )。