Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.一行人洗漱完毕(bì )，只有艾美丽拖(🐃)拖拉拉，顾潇(🔊)潇扯着她的衣领就(🐎)往外拖(tuō )：以后(hò(🥜)u )再(zài )这么(📱)慢，直接别(💇)洗脸刷(shuā )牙了，我们可不等你。是ZUO公司通知面试时间(jiān )的(💲)，邮件截图(🏡)。庆(🏔)功会上约(♐)亨却突然跳楼自杀。哪怕是没有什么血缘关(guān )系(🌡)(xì )，张秀娥(🍵)也是愿意把赵二郎当成亲弟弟一(🌉)样对待的。乔唯(🍙)一(yī )一怔，这(📃)才(👓)凝神往楼下(😨)(xià )看去(😑)，竟然真的看见(jiàn )了(😴)停在路(🎚)边的容(🦆)(róng )隽的车！在水生型是(🎸)寄(👘)宿学校(📞)里。说(shuō )到底，村子里面的大部分(🐰)人还是(🌒)十分朴实的(🍕)(de )。天文学研(yán )究生(🦔)凯(🆙)特·迪比亚斯(🤪)凯（詹妮(🐅)(nī )弗·劳(👣)伦斯(sī )饰）和(⏱)她的教(jiāo )授兰德尔·明迪博(🥌)士(shì )（莱昂(🔻)纳多(📚)(duō(🕍) )·迪卡普里奥饰）有了一(🌾)(yī )项惊(jīng )人的发现(🗓)：(🚡)一(yī )颗(kē(🧑) )在太阳系(xì )内运行的彗星。