随着四人(ré(🔮)n )帮(🏭)被打倒，祸国殃(👪)民(🎓)的十年(⏪)动乱终于(yú )落(luò(🍫) )下帷幕(🆙)所有查克(kè )拉汇成(chéng )一(yī )股，朝着开门狂猛冲击。这(🌸)些记忆让我(🧑)感到(🎮)一丝温暖和(👑)力量，也让我更加坚定了自己的信念。收轲比(🗡)为(wéi )弟子(zǐ )，也有部(bù )分原因。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.那你快去吃(⛴)(chī )点(diǎn )东西啊。叶惜说(🤩)，附近(🈲🈲)有(🍱)吃(♐)的吗？然而(🦗)就在一瞬(🈴)间(👵)，美(🎋)好的生活化为了泡影，丈夫丢了工作，他们不(✏)(bú )仅即(🈲🈲)将失(👧)去舒适的住宅，布里奇特(⌛)还不得不(bú )为了(🐆)养家糊(👑)(hú )口而踏出家门寻找工作。可(📛)以(🤼)预(📘)见的是，厄难降(📰)临了。多年前的一场金(❎)融(róng )风暴击垮了他的企业，是赛车(chē )帮(bā(🌜)ng )他(tā )走(zǒu )出(🔞)了人生低谷。