张秀娥起身开(🙊)门(😴)，就瞧(🕋)见(🔬)在聂远(🚒)乔披星(🏦)戴月的(✴)(de )站在外面(⌛)，天已经(🚓)冷了，这门一(yī )开，一股(gǔ )冷气就冲了进(⏫)来。霍(😟)靳西(🎍)不仅仅(🗄)在对付叶氏，更主要将火力(👠)集中到了叶瑾帆(fān )所仰仗的(🏦)陆氏(💔)身上。杀人越货的罪(👻)犯(📣)连续神秘死(sǐ )亡，人们将替天行道(📲)惩治恶(🚥)人的基(🕰)拉奉为(wéi )救世主，警(jǐng )方对之束手无策(🐥)。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.索林(🐸)原虫：(😅)一群(📖)机(jī )械狗，不懂都给本虫娘闭嘴。那个，毕辰(chén )老师，这块肉(💽)可(kě )以给蓁蓁吃(chī(🚖) )吗？不(⛷)行哦，这块肉是留给族长叔叔的，蓁蓁不是已经有(yǒu )了(le )棒棒糖(🚲)了(le )吗？可是，人家(🕧)想吃嘛。接(🐡)受了属于自(♐)(zì )己的自由(yóu )和选择(zé )。笨吉原(yuán )本是一只吃百(🌞)家饭的流浪(👋)狗(🤨)吴明(míng )在(⏰)一(😒)个奇(qí )幻乐(lè )园里醒来，遇见了(📁)许(🤩)愿(📍)以及其(⏲)(qí(🈲) )他六名同样失去记(jì )忆的同伴(😋)，而在这个不断循环(🦉)的(✴)奇幻乐园里(lǐ )隐藏着多(duō )个不明身份的暗杀者以及一(🌊)模一(yī(😥) )样的自己，猜(➿)疑、恐惧、暗杀不断蔓(💃)(màn )延(yán )，作为(🏵)幸存者的吴明和许愿一边要不(bú )断(🏷)面对来(🐆)自一(yī )模一(yī )样的自己(jǐ )的愤(🔵)怒追击以(yǐ(🎎) )及(🍹)那些(🥙)隐(yǐn )藏在黑暗中的(de )枪口，一边一点(diǎn )一点地找回(🦂)自己失去的记忆…(🗓)…