Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.庄(📓)依波(bō )听了，只是微笑着(zhe )摇了(le )摇头，道：孩子(🌝)是(shì )很可爱，只是对我自(📴)己而言(🏒)，又有些不一样了麻烦？棒梗(gěng )溜到我屋里偷东西，被老鼠夹(jiá )子夹住(👷)了，我(💉)也有(🍝)错?李明诧异。熊大人(💯)虽(suī(💏) )然满服韬(🕋)略，没有(🧚)粮饷，又(♉)如何抵挡伪金。蒋慕沉把(❓)手里(lǐ )的(🆓)烟给(🎫)掐灭了(le )，低嗯了声(🚚)：等(děng )你。娱乐(😦)圈十八(bā )线女(🕣)艺(🔲)人(🌷)夏(☕)林，才刚出(🖌)(chū(😺) )道就发现身(shē(🃏)n )患绝症，命(💺)悬一线之时男朋(👫)友(🙌)竟跟人(🕜)跑了(🥃)，这到底是(🍯)(shì )是什么狗血剧(🐮)(jù )情(qíng )啊。半(bà(🦍)n )倚着墙壁，双眼满是绝望和茫然。这件事也(yě(❌) )是李泌保护良臣的(🦇)例子。在妲己(🤱)(jǐ )的诱惑下，这位残暴的君(jun1 )主(🥘)变本加厉(🤕)，不仅屠害皇后(hòu )，凌辱大臣，更残杀百姓(xìng )，戏弄(nòng )诸侯。