小(xiǎo )镇每到万圣节就(jiù )会有神秘男子(🍨)发(🚘)动攻(🤜)击(🏆)，杀戮无辜的市民，警探布(bù )下天罗地网暗中追击这(zhè )个可(🐂)怕的连(lián )续杀人狂，却不(bú )料掉入了这个杀(shā )人狂(😄)设(shè )下(xià(🐌) )的凶猛的(☔)陷阱之中(zhōng )…Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.当(dāng )然，张(zhāng )秀(☝)娥也就是这么(✖)想一想，这里可是(🥞)古代，上(⛲)哪里(lǐ(♈) )去(🎛)找钢(✡)笔(🏠)。少女身材纤(⛵)细，腿长腰细，泳衣都是贴身(shēn )材质，将她(🎿)的线条(tiáo )勾勒得恰到好处，后背(🎪)一(yī(🎓) )片如(🆓)玉(🈶)雪白的(💃)皮肤，两侧(🍡)蝴蝶骨有一个漂亮的轮廓。本已经(jīng )做好死亡的准备(📗)，没想到又活过来了。虎度门指粤剧里演(🌷)员出场(chǎng )的台口，跨过虎(hǔ )度(🔉)门，意味着全身心交(🕍)予戏。绑架苏(sū(❤) )妮(📡)娜(🥪)的，是名为艾莎（娜姬丝(🔧)·法赫里(lǐ )NargisFakhri饰）的女孩(hái )，艾(🔠)莎是黑(💪)帮老大的(de )女儿，身家(⛄)背景十分高深莫测(🚱)，而艾莎显然(👤)十分中意西(💚)努，三(sān )人被(🍰)(bèi )卷入(rù )了(🤒)复(💄)杂的(🍥)感情(🚟)漩涡之(🌲)中她每天(tiān )在(🎎)这里接待数百名认证者，却从未见过如此年(nián )轻(🔭)的面孔。现在(💒)我的委任状还没有下(xià )来，因此很多(duō )事情就麻烦雷(🛐)毅(🎿)副(🎞)队长了。