Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.脚沾到地上，顾潇(🌳)(xiāo )潇才道：我们战哥那么(💛)man，哪(🏂)里(lǐ )是一般人(♉)比(🐡)得了(📮)(le )的，是不(bú )？Susan一声召(🚁)唤，雨翔(xiáng )的(⏭)真话都倾窝出动：我不(⏺)(bú )是逃夜，我只在外面(🔊)不小心睡了一(🌕)夜，学(🙈)校没(🉐)理由处分我的程风工作(🕉)努力，聪明(míng )健(jiàn )谈，性格开朗大方，有(🍵)一个未婚妻(qī )叫静雅，两(🐺)人正准备(🚸)结婚。露琪亚是将灵(😑)魂从现实世界引(💱)领到(🆕)尸魂界(🔁)的收魂者之一(yī )，他们(💨)(men )为保护人(ré(📺)n )类不被虚侵害(🏔)，一直在与这些怪物战(zhàn )斗。听见她说出(😥)一(yī )个丑男人那句话，他的心，踏(tà )实了。就在(🙍)此(cǐ )时，一个骑马的(de )年轻人出(chū )现在草原上。继而更(🤶)倒霉的(🤫)是，他(🎯)被(🌿)(bèi )警(jǐng )方认作杀人疑(♌)犯拉(🤕)回审讯。一边说(🚵)着，美术老师(🤳)林清河(🍊)便(biàn )站了起来，起身(shēn )往门(mén )外走(🙅)。