Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.捏(niē(🥍) )了(le )一点挂在(🏇)鱼钩上，随即精准抛(🏅)竿。千(qiān )星(🐒)还没来(🐺)得及开口(🏞)回他，阮茵已经抢先道：你(nǐ )说(🚓)不说都好，小北已经这(➡)么(me )大了，他有自己(jǐ )的(✔)决定，你就别闹(💜)别扭(🌜)(niǔ(🏟) )了。说(shuō )真的(de ), 大丫(🎊)跟她借粮食(🖋)，算(suàn )是(💖)(shì(🏵) )半威胁了(😝)。哪怕(🥑)她摆(bǎi )明(🐒)(míng )了心迹(♎)，明明(🎏)白白的将(🐉)事情(🔡)说了出(💊)来，张采萱(🚭)心(xī(⛰)n )里也不(👫)太舒服。至于旁(🥨)边(biān )躺着的容隽(🎡)，只(zhī )有一个隐约的轮廓。影片中影射(💻)现实大(🥘)(dà(⬅) )学生，要拼搏，不要攀比，每个人都有独一无二的(de )美，更不要投机(jī )取(🍢)巧，异想天开，只要肯努力就会有所收获。很不错(🕝)的(🕍)技能，可惜(🔰)你只会皮毛。千星见到她，心头骤然一暖，心头那股子憋闷之气也不觉淡去许多(duō )。迟砚受宠若惊，连(🐏)声应(yīng )下：不客气，都是(💿)小事(🕶)情。迟砚把手(🌭)上的东(😖)西递(🎗)给孟行悠，出(chū(🔙) )声道(dào )别，那我就(🎩)先走(🅿)了(le )，叔叔再(🏀)见(jiàn )。