Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.不久，加贺谷(gǔ )得知(zhī )恋人松田美乃里(lǐ )（(🙅)白石麻(👄)衣）被神秘男(🎶)子盯上(☝)后做出了(🌽)痛苦(kǔ )的(💧)选(📼)择，于(🎉)是决定委托浦野(👼)协(🐫)助调查……。这一下晕厥很短暂，可是(🏃)等她再醒过(🔍)(guò )来的时候(hòu )，已(🕝)经在申望津怀中(🕳)。她哭得像个傻(shǎ )子(zǐ )，投进他怀中(zhō(🐶)ng )就再也(🔸)不(🧖)愿意出来。易(🥌)(yì(💉) )中海看到这一幕，脸色立刻(🐧)变得尴尬无比，太(💞)丢人(🛣)了。将下(xià )巴(👱)靠在他肩上，顾(🤰)潇潇道：阿战(🔬)，我(📀)的眼(🚣)睛能看(🎶)见了，是老大(☔)(dà )让(✒)李春花(🥗)送来的东西治(zhì )好的。张采萱低着头(🔊)，奴婢闲来(lá(😯)i )无(📼)事，帮着(🅰)(zhe )青(🌴)雪姐姐做些事。霍靳西和慕(mù )浅被引进包间里，包(😼)厢里(lǐ )正热闹(🎇)非凡。多年以后无念带领修仙(🍒)门来(lái )到云海峰，与魔教再次激战，修仙门死伤无数，魔教弟(dì )子(zǐ(🧢) )也(yě(💋) )是尸首异地，天心门李素玉(➡)与上清老(lǎo )掌门清(🐐)秋(qiū )的出现让无(💱)念终于取得轩辕神剑，凭借(➡)轩辕(yuán )剑的威力(lì )将魔教头领幻影(😪)(yǐng )彻(chè )底(dǐ )斩(zhǎ(🥃)n )除(chú )，魔(🧣)军覆没(❔)，而无(🧙)念的爱人(🧕)小白为救无念受幻影重击元(📳)神俱灭。