周氏(shì )叹息了一声，脸上满是无奈：你爹去割青草了。不是会长，你在说什(🏓)么(me )？(🦇)四宫辉夜哑然失笑(🛀)：为什么我一点都(🎹)听不懂。是。申望津说，所以我才想更加(jiā )确(què )定(🎠)一(yī )下这(🦌)件事。铁玄(♓)默默(🍜)的(🌐)在自(🦁)己的(de )心中哀(🎐)呼(🅾)(hū )着，还真是(shì(📕) )自作孽(niè )不可活。地面青灰色(sè(😭) )的金砖无不炫耀着这(🔄)个(👨)国家的(🔈)强大。他(tā )是故意的，因为他在网(❓)上说看(kàn )见发‘哦’就(jiù )代表着那个人生气了，苏淮同学想这样(🔤)隐晦(🏣)地提(🥠)(tí )醒(xǐng )宁(🍄)萌(mé(🔔)ng )同(🛅)学自己有点点(diǎn )小不开心了，希望她(🌬)能哄哄(🔆)自(🏆)己。听到夏(xià )辰的(💱)话，两个天使震怒。这(📁)样(yàng )啊？你(🤰)说的也对，血海之中有一(yī(🤐) )名(🕥)叫(💵)(jiào )蚊道人的小蚊子，让她来(🚬)做修罗(💸)道道主吧。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.