这(zhè )是好几年(nián )后，张(🚎)(zhāng )雪岩第一次进这个房(🌚)间(jiān )，还是一模(mó )一(yī )样的(🈺)装饰(shì )，只(👊)是(shì )床(chuáng )头柜上的香水瓶却早就空了。胡彻先是一喜，听(tīng )到(dào )半(bà(💹)n )年后又(🆘)收敛(🔉)了笑容(róng )，却也没有多(🍏)纠缠，再次(cì )深(shē(🈷)n )深弯腰，多(🌐)谢(xiè )东家。虎妞娘不以为然(⚾)，有些不屑(🌾)道(💭)：还能如(rú )何？村里人可不敢逼着(🚜)他(⛩)哥哥卖粮给全信，他嫂子哭着娘家等着这些粮食救命呢，而且说是两个(👼)月(🔍)前就说好了的。要是真逼着给(🔗)了全(🐩)信，李家村那(💣)边(biān )打过来(📤)怎(🚚)么(me )办？他们不甘心在三十岁被判定为黄(🤱)金岁月告罄，都在努力进(jì(😊)n )化出更(gèng )好的自(zì(😮) )己，拉(lā )开更好生命的时光纷(fēn )纷想(🧣)看螺蛳粉是啥？小姨夫，螺(🛤)蛳粉里面是有(🧞)那种大螺(🛅)吗？(🔀)埃罗抬起(🤖)(qǐ )头天真的问道。怔了半天(💵)，隐约看见窗帘上有影(yǐng )子(zǐ(🏮) )挪动，以为是Susan发(fā )现了，要来开窗迎接。雨翔满心(xī(⭕)n )的(👔)喜(xǐ )悦，只(🎵)等(děng )Susan在窗(⛔)前(🚍)招手(🤦)凝望。此(🗑)刻(🌸)，惟(⚓)一的遗(🖍)憾就(🎫)是莎(🥎)士比亚没写(xiě )清(🎚)楚(🚙)罗密欧是怎么爬(pá )过(👗)凯普莱(🐯)特家花园的墙的。众(🚻)人先是一愣，张(zhāng )采萱都有点(🎋)反应不过来，这是(🏪)张麦(mà(🌁)i )生又买了马车了？就在这时黑(hēi )虎突然病倒，并且很严(👣)重(chóng )。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.