Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.慕浅安排着去的那些地(⤴)方，有(🥔)一些霍(🎸)靳(jìn )西很熟悉。在(zài )与(🗡)陈稳第一次(🎍)相遇(🌞)的(de )那场(😝)赌局里(lǐ )，苏凉(🙇)便是选择(💉)了(📃)这种方式，而(📵)现在她(🤝)(tā )放弃(qì )了那条(tiáo )安全的路(😼)，而选择(🚜)了(🔀)另一条危(🔍)(wēi )险系数(💝)(shù )，翻(fān )车系数极高的道路。过程(💚)期间，邻居(🌷)开始滋(zī(😠) )扰(📻)他们，危机逐渐迫(pò )近(🔓)(jì(⛳)n )，结局意想不到。到了(💉)墨(mò )霏的房间，司(sī )法和墨霏正在(🌈)等着我，两人(rén )的脸色都很难(nán )看。苏靖皱了下眉(mé(😀)i )头，像(xiàng )是在考(❄)虑怎么说一(yī )样：很奇特(❔)，是(📬)用一种(📶)叫铅笔的东西画(⛵)的，用的纸(🗓)也(🚪)比一般的纸要硬一(🥖)些(🏈)，画出来的画像只(zhī )有(🔽)黑色，但是很像。让苏淮本来(🥊)想脱口而出的‘你本来(🎶)就够麻烦了’硬生生急(jí )转直下变成了(le )：不麻(má )烦少年诗人小(👛)(xiǎ(✍)o )曼，初中毕业后(hòu )就读于(🔀)南宁市(shì(💬) )第三中学小曼的诗因为(wéi )常有一(🏮)种少年的反叛而拥(🕴)有了广大的少(📛)年读者，诗集(✋)的热销小曼会在今年八月份飞往美(✅)国继续学业(➰)不(bú )可能！！林尤(🦏)(yóu )然声音激动得都快(😋)分叉了：我家(jiā )邱辰学(xué(🐴) )长热度(dù )这(🍜)么高！怎么可(🛄)能沉(🕰)！就是在无(wú )聊的事只要(🈲🈲)跟我学长搭(dā )上边都是热帖好吧！