Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.班森（达蒙(💣)·(🚆)韦恩斯DamonWayans饰）曾是美国海军陆战队特种部队中的(de )一(🕙)员，经历(🐆)过非(fēi )人的训(😊)练(😡)和残酷的战争时代，在军队中，班(💱)森是恶名远(yuǎn )扬的冷血杀(shā )人机(🥃)器，可(💝)是战争结(🆓)束后(hò(🗾)u )，一身功(gōng )夫无(wú )用武(🥛)之地(dì )的他只得(dé )来到陆军(🧀)少(🍕)年(🎳)军校成为(wéi )了那里的一名训练官他刚一进去(🗺)就(jiù )呆(🛒)住了，原来不(🤘)止是宋(sò(😛)ng )倩母女，连(💃)乔卫东也来(lái )了。不要求(♈)(qiú )她(🎯)改变自己的想法，至(🍡)少别一(🕷)天嬉皮笑(🌐)脸给(gěi )他看。摆(♟)了(⤴)摆手，王道人直(zhí )接开口告辞准备离开。她(tā )一边说，一边走(🤼)到沙发旁边拿(ná )起(🥠)自(zì )己(jǐ )的手袋，与(🗝)慕浅(📬)擦肩而过的瞬间，慕浅却(què )忽然喊住了她：潇潇。点进介绍(🗜)一(yī )看，全(🥈)是斩获的各大奖项，足(🏚)足(zú )一(yī(📴) )页之(zhī )多，无一例外都是世界(😚)级比赛(sài )。当(🐏)然，她(🐋)隐藏(🚨)了蒋少勋的部分(🗯)，只说她骂她(tā )父(fù )母。兄弟几(㊙)人很久不见(🌊)，相约餐厅一起吃饭，一起为受欺负的亲姨讨回公道，一(😪)起(🛀)(qǐ )去纹(🙈)身店(👙)纹假纹(🧞)身，笑料百(bǎ(👡)i )出