这么说(🈚)来，它(tā )的成长方向是要变(🎨)成手工猩猩，成为(wéi )动物界(🏵)的(de )发(fā )明大师啰？(🐸)但愿别(📺)整成(🦊)猩球(🗺)革命那种情(qíng )况吧。她顺着油光铮亮的皮鞋往上看，眼角(㊗)(jiǎo )不自主地缩了一下，手机里响了一声游戏(⛹)(xì )失败的感叹(💐)(tàn )。无(wú )论是何等生物，看到眼前的这一幕，都会不由自(🏝)主，将自己当做(😃)尘埃。没想到佐助主(📛)动走了过(💷)(guò )来(lái )，表情(qíng )严肃一(🗾)副很吊的样(yà(👞)ng )子(✌)说道：(🍃)有空吗？热血(xuè )高(🐽)校啊。为了回到(🍕)阳间(🕣)，啟一郎必须(xū )让第一(🙄)(yī )个和(hé )他说(🔛)话(🍞)的女子（江角(🗂)真紀子）在圣诞(dàn )前夜(🍥)(yè )幸福的笑出来。霍靳(❌)(jìn )西倚在床头，睨(nì )了她(😔)一眼，大(🔞)约是(shì )懒得多说(🏴)，只回答了一个字：嗯(⛪)。一个高中生杨明(👋)(mí(🗑)ng )意外(wài )从街头(🕹)(tóu )摆(🏂)摊(🍱)的老(lǎo )头手上得到一副神奇透视隐形眼(yǎn )镜(jìng )，最主(😰)要的是(🆘)，这副眼镜居然能(🙍)看清别人的(🚨)想法。继送车和银行卡余额之后，孟行(🐔)悠(🏢)又(yòu )很(💐)没见(🎄)识(shí(⛲) )地被迟砚的(🔷)豪气震伤(😃)了一次。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.