秦公子(🔖)进(⛎)了(🍕)院子之后,仔细(xì )的打(👻)量(liàng )了一番(🚮),这才(🍡)品评(píng )到(🤜):(🔈)上(😟)一次来的(🎍)仓促(cù ),没仔(🗳)细看,如今看(🌦)一(yī )看(🅰),似乎还不错(cuò )。张(🐉)大河瞪着眼睛看着张大湖:你回(huí )来干什么?不是(shì )让你去找人吗?(🐏)难道你嫌弃天黑(hēi )不想去(qù )?你(⛪)还(💶)有没有点孝心啊(ā(🥥) )!不说我媳(🕛)妇,就说娘和妹子,难(🥒)道你就不管了吗(🔲)(ma )?闻言,蒋少勋放在桌(🈴)(zhuō )上的手(shǒu )指轻轻(qīng )动了一下,表(🐻)面上却(🌜)仿佛没有(yǒu )受到任何(🖖)影响。孟(🈳)行(👨)悠从(📪)小到(🏵)大就没收拾(🐍),发下来的寒(📪)假作业(😑)全(😃)部乱七八糟地扔在课桌上,纵然(rán )孟行舟已经习(xí )惯,看(📧)见这堆东西,也免不了(le )皱眉头。要不是刘沐过来救我,我可(🎼)能(🚱)就没命了。父(fù )母(㊗)之爱(👈)子(🐤),则(😺)(zé )为(🌁)之计深远。本以为能(🛡)(néng )见到父亲(qīn )迎接的他(tā ),却见(🛍)到名为使(📰)徒的巨大生(shēng )物与军队(💳)交火。然而(é(🎾)r ),麥出身豪(🍕)門,他的母親對來自鄉村的小娜極(👅)之(zhī(💮) )嫌(🍂)棄Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.

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