申(🎹)(shēn )浩轩并不是桐城人，而是滨城人(rén )，容恒再神通(🌶)广大，应该不至(👃)于连(lián )滨城(chéng )人士(⛺)也了(le )若指(🔰)掌。其实，他最(😨)恨的人是自己，他搞错(🎖)了自己觉(jiào )醒(🔄)的能(📩)力。堪(📦)(kā(🛋)n )舆(📩)听到后(hòu )，回应，知道啦(lā )。墨剑(jiàn )听到耳边传(chuán )来的声音，脸上(🤫)漏出不可(😤)思议的神情，好快的速度。蒋慕沉想了想说：(🍃)前天(🔲)我借你手(🍎)机打电话(🃏)的时候，不小心接了(🎄)一(yī )个(🍘)人(rén )打过(📿)来(lái )的电话。啊？佟思(🚀)钧怔了一下，随(suí )后(📷)才反(fǎn )应过来(🐌)，思索了片刻，才(cái )终于道，我(wǒ )今天在办公室(🤽)听(👃)到的(🈶)(de )。刚睁(🕒)(zhēng )开眼(yǎ(❗)n )睛就看(🤰)到了梦那(💵)个小(🏥)小的脑袋，一脸可怜巴巴地看着她。Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.比如建(👽)议(🐯)秦宇现在自杀(🛃)(shā )，就可以立马(🚽)成为神(🏷)明(🕜)(míng )。