Rivetteisrelativelypreciseinhisdealingswithmeaning.HeisthemostatavisticallyceremoniousoftheVague,inthesensethathisabstractionasajourneyleadinginwardsisalwaysattendedbysignsandcodasthataffirmourpassage.Thetranscendentriteofpassage,inmorewaysthanone,isaboutthesymbolicenactmentthatpavestheway.Thetranscendenceitselfislefttooursphereofexperience,butwereatleastbroughttothedoorstep.Oh,therestheimprovisationalflowthatseemstothrowpeopleoff,thatthingsseemtoberandomlybubblingupfromnothingwithoutsignificantplanorsubstance.Thechanceencountersinaworldthatwemayrecognize,thegeographyvaguelyfamiliarwhosenatureisyetultimatelyinsoluble.Theresalotofthathere.AsinCeline,itisthebreathingspacethatconductsourpreparationtostepbeyondthemechanismsofreason.Wedontreasonwithit,rathertrustitsintuitiveflow.Likethedreamworld,itisonlythefigmentoftheknownworldspontaneouslyarisenasastageorblankslatefortheatavisticportentsanddivinationsofthesubconsciousmindtobewrit.Buttheriteofpassagematters,inspiteoftheseeminglyaimlesswandering.Hereitisabouthumanefforttobypassthewallofparadiseconstitutedbythecoincidenceofapparentopposites(goodandevil,lightanddark,beingandnon-being).Abarrierthatobscuresvisionandtrapsinaworldofnamesandformsthatisonlyanapparentreality.Renderedinthefilmastwingoddessesofsunandmoon,vyingforapreciousstonethatenablestheirdescendintothehumanworld.Thehumancharactersaremerepawnstotheirschemes;tobeseduced,tricked,threatened,orultimatelydestroyed.Twinfemmefatales,weavingspellsinaninversenoiruniversemagnifiedintoamacrocosmicstruggle.Theill-preparedmanwhochancestostealaglimpseofthemintheirtrueform,likeinthemythofActaionwhostealsupontheGreekgoddessArtemisbathingnakedinapool,hashisconsciousnessshatteredbytherevelation.Hismirroredimage(thesoul,thereflectedhalf)iscracked.Thewomanwhofinallyshatterstheillusionarydualitythatquarantineshumanconsciousnessintomeaninglessdilemmas,doessobyasacrificeofblood.Andthisistheproblemofthefilm.Somuchofitisastridentlysymbolicenactment,amatterofceremony.Thesacrificeis,quiteliterally,amatterofspillingblooduponthesymbolicstoneanddoesnotflowfromanything-itissimplytheschematicendofthespiritualmyth.Althoughvaluableasinsight,themeaningofthefilmistrappedinsidetheritualsperformedtosignifyit.Havingcrackedtheoutershelltoabsorbit,thefilmseizestoresonate.顾潇潇(xiā(⛪)o )安(🏮)静的躺在(zài )草地上，睁着明亮的大眼睛，朝袁(💱)江(🐐)眨呀(💉)眨(zhǎ )：江哥哥，我错了。现场已(🚚)(yǐ )经搜(sōu )证完毕，没留下什么(🔔)有用线索。容恒坐在(zài )沙发(fā )里看(🕦)着换(🧡)衣服的霍靳西，被他们偷走的那辆车在城东也找到了，不(🍯)过(🚆)(guò )也(📭)没有查到什么线(🧖)索(suǒ )，他们(men )非常小心。二哥(gē(🧦) )，你心(🌩)里有没有什么想法(😬)，对方是什么人？杨翠花又(🌱)是叹息了一声：也(🐼)是巧了，那男(💍)(nán )子叫王(🚔)大郎今年快三十，虽然说(🛠)年纪(🚧)是稍(🦄)微大(🌖)(dà )了一点，但是和妮子的年岁到也相配，这人没(🤸)有(🤧)成过(🍡)亲，会到现在没有娶亲，那是因(🙀)为之前去戍边了(le )，到(🖲)了现在才回(📙)来(🈴)(lá(Ⓜ)i )，因(💱)为家里穷，到也不好说亲，我(🈸)知道了这(zhè )件事(🗽)，就去找人给说和了一下，没(🦒)想(xiǎng )到妮子竟然(rán )点(diǎ(🌴)n )了点头，王家(jiā )对妮(💩)子也比(bǐ(🤮) )较满意。反恐指挥(📂)中(zhōng )心根据T国请求选(xuǎ(👒)n )派专家(🍃)潜入公司。虚空(🅾)剧烈震动，仿佛整个天地都(🍑)在(🖤)颤(🐅)抖。李(lǐ )长(zhǎng )庚二次骗(🆒)悟空(kōng )到天宫，欲伏兵擒(qín )拿(📛)。民国时(🎨)期，潘家(🗽)小姐潘(🈚)惜月（金(♿)宁(ní(🔗)ng )饰(shì )）被妖魔(mó )缠身，无奈之下请来了鬼谷道(🚒)爷(🍷)尹(yǐn )天仇(chóu )（崔冬辰(🐑)饰）做法驱走了妖魔并以纸人配(pèi )妖婚骗过狐妖。除(chú )了坐(zuò )着审判位置上的那(nà )维(🤐)莱(🔑)特(tè )。